Growing up in the wild hills of
the Pacific Northwest, it seems like SunRay was
always building something. His favorite source of inspiration and materials
is the
woods around hi
m,
"God's Hardware Store" as he calls it. When working on a project it is
not uncommon to
see him pick up a saw and head off into the woods looking for the right
piece of wood to present itself. If he says anything, he'll mumble "I'm
going shopping."
SunRay's organic
designs take their form from the shapes of living trees. His study of
architecture and sculpture only reinforced his affinity for the forms Nature
takes, in rejection of the artificial forms in rectilinear Western
architecture. The teacher in his first college drafting class told
SunRay on seeing his designs,
"Learn
to use a hammer, boy, because no one but you is going to be able to build
that."
Since
then, Sunray has been building things that "nobody but
SunRay could build." The structures seem timeless and rooted, like
they grew from the site. In the early 1990s he was
introduced
by Ianto Evans to "Natural Building." His forms
had always been organic, based on wild round timber, but incorporating the
sculptural qualities of earthen building--cob, light-clay straw and
strawbale--into his work has been "a revelation
and a completion" to the extent that SunRay for
many years ran a "School of Natural Living" to learn and teach the art of
integrating Nature and the human spirit, as well as natural materials in
their pure form, into the built environment.
SunRay
has personally contributed his energy to homes, temples and "follies" across
the United States. He has traveled the world studying buildings and live
patterns both modern and ancient. His unique style and personal energy have
earned him legend status, even among master craftsmen. Cob builder and
teacher Michael Smith calls SunRay an "Elemental
Force".